This proposal discusses the educational function of transition space. Assessed as a means to connect destinations, these spaces also make a significant contribution to the occurrence of happenstance interaction. Transition space is used as a platform for conveying knowledge, impromptu gathering, and discussion as described by Raphael’s School of Athens. Craft-based collectives are proposed, adjacent to St. Pancras Station, to question architectural pedagogy. Interaction and knowledge-sharing between skill-bases is encouraged together with direct, everyday access to crafted detail.
The design also attempts to interrogate and regather attention on architectural elements and architecture as a subject itself. It seeks to establish links between not only Piranesi’s elements and Vitruvius’ teaching, but also art and architecture in a mannerist way, exploring the missing authority without connecting to the periphery of architecture like political issues. Encompassing the Bauhaus, Soane Museum, traditional Chinese architecture, and other historical global influences, the spaces reflect a synthetic vision of the history and future of architecture. The project serves as an imaginative flourish that compliments the tradition of capriccio.
This work was developed as part of group work by Yiming Liu, in collaboration with Anqi Chen, Tyesha McGann, and Qiaoxi Wu.
What is the role of water in architecture? Traditional Chinese architecture uses water to create a homogeneous and harmonious atmosphere with nature. Water is active and alive, yet passive and calm.
A pavilion model is set in the middle of the main path. Trees and flowers welcome visitors and a gateway, or paifang, stands at the halfway point.
The tower is considered the most neglected element in the discussion of transition space. The structure is inserted with platforms and stairs, as well as greenhouses for interaction and display.
These elements are inspired by Giovanni Piranesi, encompassing the order and disorder.
The proposed loggia, breaking from its traditional perception as a border between inside and outside, is placed inside (marking the inside of inside) and is filled with displays.