B-Pro Show 2020
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Frontage as Pedagogic Device

Project details

Student Barbara Huszar
Programme
Supervisors Hannah Corlett and Afra van’t Land

This proposal intends to provide an alternative to the dominant, consumerist retail environments that characterise London’s Oxford Street and that create a disconnect between the product and its production. This is done by introducing a transparent production line for the fashion industry along the route of the historic Tyburn River. The project acts as a place in which the public can view and discover the full process of garment creation from the fundamentals to its full completion.


The proposal uses the craft of a garment to provide the source of inspiration for the architectural façade of the street. The design of the street functions as a pedagogic device. By placing an aesthetic as a common factor in the making and craft of a garment and the design of the building façade, the architecture will construct an underlying spatial meaning that guides an individual through the garment’s production. The architecture will also support individual makers and craftsmen, allowing the display of their craft to a wider audience.


This work was developed as part of group work by Barbara Huszar, in collaboration with Samuel Langley.

Programme of Proposals: Façade Analysis

Following analysis of the streets and façades, the programme was distributed, locating textile formation on Avery Row, garment completion on South Molton Lane, and textile manipulation on both streets because both makers often use manipulation to make their work even more bespoke.

Experimental Paper Cutting: Mocking-Up the Adaptive Façades

Experimental models explore the adaptive façade design. Apertures size, opening adaptation, and viewpoint all influence the craft-specific façades.

Abstract Plaster Façade Model

Learning from the craft, a gradient appearance offers an interesting solution for the façade, appearing as if it was in the process of dyeing.

Façade Studies

Design studies for façades A and B. The façades reference craft in a playful way. As the table-based craft is only viewable from up close, circular shapes in the façade can be opened down to form a table where the maker can work, visible from the street.

Façade Model and Primary Viewpoint

Wanting to achieve a sense of exclusivity, scaling down the arches allows only one person to see inside under one arch. Viewers can imagine that the maker is dressing, designing, or pattern cutting for them.

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The Bartlett
B-Pro & Autumn Shows 2020
27 November – 11 December 2020
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